Do you ever purchase a super cute fabric that you just can’t resist, but then find that it sits in your stash, and for some reason, you seem to be avoiding it? In this case, the fabric is a beautiful Julia Cairns African inspired design. Each time I saw it there in my stash, beckoning me, I wasn’t quite sure how to do justice to the fabric, as each of the animal blocks is a different size. But then the idea finally came to me: a 9-patch might be the answer.
A standard 9-patch is such a perfect block pattern because it so flexible. The color palette was pulled from the animal print – blues, gold and greens – taken from a variety of leftover pieces from other past quanket projects.
The name Hakuna Matata was inspired by the animal print, and from a Corrie ten Boom quote I recently came across:
Worrying is carrying tomorrow’s load with today’s strength – carrying two days at once. It is moving into tomorrow ahead of time. Worrying does not empty tomorrow of its sorrow; it empties today of its strength.
This quanket was donated to the County of Ventura, Children & Family Services, for a foster child in June 2016.
As 2015 winds down to an end, I am pleased to have donated a total of 19 quilts to foster kids this year, and each done in a different design! Choosing my 5 favorites is difficult, but here they are, in no particular order:
Flower Power – August 2015
Marigolds – November 2015
Papa Bear – December 2015
Flamingo Floyd – May 2015
Celebration – March 2015
I recently read a quilter’s comment that there are “so many quilts to try and so little time“, which I can totally relate to! Papa Bear marks my 57th quilt donation – not counting the numerous family and friends quilts I have made over the years – and this is the first time I have done a Bear’s Paw quilt design.
The inspiration for the name and color palette came from a family trip to Big Bear over the Thanksgiving holiday: the crisp blue sky, the evergreen pine trees and the snow that fell all day on Friday. Living in Southern California, it is a treat to be able to drive only a few hours and to enjoy a few days in the snow. Yes, we are spoiled. The majority of the fabrics were pulled from my scraps bin and represent too many past projects and pieces of the past to list here. Overall, there is a lot of good mojo that is at work in this quilt!
This quanket, along with Baby Bear and Mama Bear are being donated via the Hands2Help Challenge 2016 and will go to the Yukon Women’s Transition Home in Whitehorse, Yukon. I am inspired by these words on their website, “Kids deserve to feel safe“. These are words that fuel me to make and donate quilts for kids.
In October, during a road trip around Oregon, I had the opportunity of visiting the Latimer Quilt and Textile Center in Tillamook. If you are a quilter, and are visiting this area, this is certainly a “must see” for the itinerary. The museum includes beautiful quilts on display, as well as numerous other textile arts. They also have a gift shop where I acquired the centerpiece for this quilt.
The cross-stitched sampler centerpiece had an identical twin, each measuring about 12″x12″, and while the orange and brown stitching was complete on both, the background had not been finished. Like my Lovely Flower Baskets in the Window quanket, I was amazed at the time someone must have spent on these, and wondered at their plan for them. As a fan of re-purposing, I knew that these were destined to make their way into my Love Hugs (Pieces of the Past) quilt project. So, I scooped up these beautiful little treasures, and figured I would finish cross-stitching the background.
I chose to do this as a medallion quilt, as I wanted the cross-stitched center block to be the main attraction. The Fall-colored leaves material used in the last large border and throughout, was a leftover from my sister Lynn’s donation for my Country Fair quilt, and the large gold triangles was material I had received for participating in the 2015 Hands2Help Challenge.
This quanket was donated to the County of Ventura, Children & Family Services, for a foster child in December 2015.
Don’t Fence Me In
This is my 54th quilt donation to foster children, and it, along with my last two quankets Country Fair and Flower Power, will be donated to the County of Ventura, Children & Family Services, via the Children’s Services Auxiliary of Ventura County this month.
This fence rail block pattern went together pretty quickly. Using the strip quilting technique and having very few intersecting seams make this a really nice pattern for beginners. I liked how the design used different strip widths, and by randomly placing the fabrics, it turned out very different from my Switchbacks quanket that also is a fence rail pattern.
The solid green fabric was a leftover fabric from Edith, while the rest were new fabrics from the local fabric shop’s remnants bin. The inspiration for the name came from the old Cole Porter song, Don’t Fence Me In. As someone who loves backpacking, sailing and road trips, I feel a personal connection to the lyrics,
Oh, give me land, lots of land under starry skies
Don’t fence me in
Let me ride through the wide country that I love
Don’t fence me in
Don’t Fence Me In will be included in this year’s 100 Quilts for Kids program, which runs through the end of September.
This quanket was donated in September to the County of Ventura, Children & Family Services, and will go to a foster child. It will also be included in this year’s 100 Quilts for Kids program, which runs through the end of September.
This hourglass block pattern quanket is a riot of such fun colors and patterns! Each summer, I host a family get together at our home, and this year’s theme was Country Fair. The menu included homemade lemonade, fresh salads, peach and apple pies, and so much more yummy food! In addition to folks bringing their favorite ‘Country Fair’ dish, I also asked everyone to bring a scrap of fabric that I would make into a “family quilt”.
With no guidelines other than for the fabric to be a cotton or cotton-blend, and bigger than 12″x12″, as you can see, I got quite a diversity of colors and fabrics. Some brought fat quarters, while one sister brought an old, favorite sundress, another a vintage apron she had gotten from Granny, and my daughter contributed one of my grandson’s onesies.
I chose the hourglass block pattern for two reasons: first, it lends itself to using a lot of different colors and patterns; and second, I felt it aptly gave a nod to the concept of time – the passing of time, and how precious time spent with family is! The other thing I liked about the hourglass block is that it allowed me to have everyone’s contributed fabric touch each others, symbolic of how we each touch one another’s lives.
I believe this quilt qualifies for my ‘most pieces’ pieced quilt, coming in at just over 800 pieces pieced! Before this one, my What’s a Zig without a Zag quilt was my ‘most pieces’ quilt at 504 total pieces. While it was quite a bit of work to design and piece this one, it was very rewarding to see it come together. I used this quilt to describe how I make quankets, hoping that it inspires others to make and donate quankets to foster kids. Quankets are a great project for those that love the piecing aspect of quilting, but perhaps don’t have the tools, training or patience to finish in the traditional quilting method.
This quilt incorporates some new and some past project scraps. The hourglass blocks incorporated some scrap fabric from Edith, and from a quilt I made years ago for my nephew. Some of the muslin was leftover from the fitting pattern for the wedding dress I made for my daughter nine years ago.
This was donated in September to the County of Ventura, Children & Family Services, and will go to a foster child. It will also be included in this year’s 100 Quilts for Kids program.