This quanket combines many scraps from Toodles, a quilt I made for my nephew Dexter, six years ago. The colorway is very mid-century modern. The avocado, browns, teals and oranges have made these fabrics a bit of a challenge to incorporate into other quilts over the past six years, not only because of their strong color personality, but also because the colors are all very saturated. I felt the linen color for the background provided the neutrality needed to compliment these strong colors.
This scrappy quilt began by sewing the small’ish scraps (most under 4″x3″), combining them with the solid linen and avocado colored fabrics. I constructed 12″ blocks, but wasn’t happy with how they looked once they were up on my design wall*. So, I used a trick I learned many year’s ago when making Calm Reflection, of cutting the block in half, and flipping it around to create a new design. The technique was one I had found on wont-to-be quilter’s blog, however, I can no longer find the instructions there. Please drop me a comment with your email address if you would like me to send to you. I made ‘Lassie’ as a quanket, finishing it with fleece backing.
“Did you ever see a lassie go this way and that (way)?”
~ Roud Folk Song Index number 5040
This quanket will be donated for a child in foster care.
*While the picture of my design wall doesn’t have this latest quanket on it, I thought you might like to see what my design wall looks like. It is a piece of 1/2″ styrofoam insulation covered with felt, measuring roughly 5’x6′. My murphy-style cutting table is immediately behind my sewing machine, a 1950’s Singer 401a, slant-o-matic. The cabinet for the fold-up cutting table has a blackboard backing, so I can keep notes for my current projects. The sewing machine was my grandmothers, and the one she used to teach me to sew over 50 years ago.
I try not to have too many UFOs, but this one became an unfinished project last year, during the pandemic. With the rush on cotton fabric for making face masks, it became increasingly difficult to sometimes get fabric, let alone trying to find more of a specific fabric. I needed less than a 1/4 yard of one of the outlying darker blues, but could not find it anywhere. Even as the pressures on cotton fabric eased over the last several months, I still had no luck finding what was needed.
After sitting in a drawer for a year, I decided that a finished quilt was better than a perfect quilt, and substituted a dark solid blue fabric, seen in the top and bottom rows. The piece of past fabric in this quilt is the first band of the darker blue fabric. It was some that my sister gave me several years ago, previously a favored sundress of hers. I have used it in several quilts, and the dress is now whittled down to a just a few remaining small scraps. I made this as a quanket, finishing it with fleece backing.
It was a difficult decision for me to just ‘move on’. From the early designing phase I intended it to have that particular fabric in that particular spot. In reflection, I think this quilt is like life sometimes: we have a certain vision in our minds of how we think it’s going to go, but life throws us a curve ball, and we must decide to move on, or be stuck in a drawer. I chose the name Stormy as a reference to the turbulent year of 2020.
“…a smooth sea never made a skilled sailor”
~ President Franklin D. Roosevelt
This will be donated for a child in foster care.
The cream fabric in this scrappy quilt is leftover from my Firsts quilt while the blues were pulled from my bottomless blue scraps bin. I organize my scraps by color, and it seems that no matter how many times I create scrappy blue quilts, this bin is always full! I created the scrappy blocks by sewing seven, 1.5″ x 7.5″ strips, and then combining a cream block to make the half square rectangles (HSTs).
I love the versatility of HSTs. Just a simple rotation, or placement of fabric and color can make it look completely different from something made in the same quilt design. I’m not certain if there is a name for this particular design. I use EQ8 and designed it there, basing it off a Lonestar design. I love the look of an off centered Lonestar, such as I did with Rising Star, and in this case I chose to not complete it out to the star points, but instead kept it extremely ‘zoomed in’. I made this as a quanket, finishing it with fleece backing.
This will be donated for a child in foster care.
The design for this baby quilt began with the owl fabric, that I fussy cut to showcase the owls. It will be donated as part of this year’s Hands2Help Challenge being hosted by Sarah over at Confessions of a Fabric Addict @fabricaddictquilts. The cute owl fabric is the last of this fabric which I had previously used in Hoots, which went to Little Lambs Foundation for Kids for the 2018 Hands2Help challenge. This quilt is also heading off to Little Lambs Foundation for Kids @littlelambsfoundationforkids for this year’s challenge.
The log cabin blocks were made from yellow and teal scraps. I like to store my scraps by color, in photo boxes. While some people prefer to precut their scraps to common sizes, I do not cut my scraps before putting in the boxes, but just leave them whatever size/shape they are. I find this gives me more flexibility for future projects.
Here’s a baby quilt that will be donated to Little Lambs Foundation for Kids @littlelambsfoundationforkids as part of this year’s Hands2Help Challenge being hosted by Sarah over at Confessions of a Fabric Addict @fabricaddictquilts.
The fabric of the animals riding around in cars is the last I have of this fabric, which I also used in Twizzler Goes for a Ride and Toodles. The blue, cream-colored and dark green blocks are all solid fabrics, which is deceiving since the fleece I used for the backing on this quanket (blanket + quilt = quanket) shows through when held up to light. The fleece backing is green with big white polka dots, making an interesting echo from the back to the front.
Fun fact: the letter E in the NATO phonetic alphabet is Echo and its morse code is a dot.