I’ve been making quilts for years, but mostly toppers that I bind and then tie to fleece backing. I haven’t done much in the way of machine or hand quilting, and in the last year have begun experimenting with machine quilting. I began cautiously, first on two table runners for last year’s Christmas and then in my Hoplon quilt project from earlier this year. I also have a QAYG project in the works. Overall, I’m enjoying the learning process.
My Palahdee quilt is a Labyrinth Quilt Block which I thought would work well as a baby quilt. Mypatchworld offers a nice tutorial on this block pattern. I don’t often make baby quilts, but felt it would be a good size to further practice my machine quilting. I tried out three different quilting designs: around the center star and the flower border I stitched in the ditch and then did a 1/4″ stitch away from the ditch; I did straight lines on the blue, using 1″ blue painters tape as my ruler; and on the elephants, I made my own freehand template that sort of looks like an elephant’s trunk.
The elephant fabric was the main star for this quilt, which was also the inspiration for the name. The blue fabric was from a duvet cover someone had given me many years ago and the small flower fabric was something I bought several years ago from the Latimer Quilt and Textile Center in Tillamook, a great place to visit if you’re in that area.
This will be donated to the County of Ventura, Children & Family Services for a child in foster care.
Do you have a fabric in your stash that sits there day-in and day-out, month-after-month, year-after-year, taunting you to make something of it? Challenging you to do something to let it be the shining star it is? But, in your eyes, it lacks. It won’t play well with others. It doesn’t have a pretty motif, it isn’t modern, and its colors are juxtaposed in an odd way.
The plaid binding fabric in my Super Nova quanket was this fabric. It is one I probably would not have picked out in the store. I’m not sure if you can zoom in enough to see it clearly, so I’ll try my best to describe it. It is a very small plaid print that seems to want to be a Christmas fabric, but the red is closer to magenta and the green is so dark that from afar, it is difficult to discern as green at all. I had acquired it from a donation several years ago, and it has sat in my stash patiently waiting its turn to be used. Well, its day has come! It, along with several other homespun plaids, and magenta and dark green scraps have been used in this Bursting Star quilt. If you are interested in this pattern, you can download it for free from Bluprint here. *I revised the pattern slightly, around the central star.
This was donated to the County of Ventura, Children & Family Services for a child in foster care in August 2019.
The star of this quanket is the zebra fabric blocks which are alternated with a medley of grey blocks. The zebra fabric represents zebras not only as black and white – or white and black 😉 – but also as rainbow striped.
When my kids were little, they enjoyed the poems of Shel Silverstein, and this particular poem is representative of many of the thoughts I had while creating this quilt, and thinking about those rainbow zebras. The message that I took from the poem and the rainbow zebras is that we are all different, and that’s okay! We should respect each person’s choices and individuality, and not question what makes them tick. We shouldn’t worry about what others choose to do with their lives. The only thing that matters, is what we do with ours, and to make it as dazzling as we possibly can!
~ by Shel Silverstein
I asked the zebra
Are you black with white stripes?
Or white with black stripes?
And the zebra asked me,
Are you good with bad habits?
Or are you bad with good habits?
Are you noisy with quiet times?
Or are you quiet with noisy times?
Are you happy with some sad days?
Or are you sad with some happy days?
Are you neat with some sloppy ways?
Or are you sloppy with some neat ways?
And on and on and on and on
And on and on he went.
I’ll never ask a zebra
This was donated to the County of Ventura, Children & Family Services for a child in foster care in August, 2019.
Back in January I tackled my blue scraps bin and created the Bargello twist and turn quilt I named 3273 K. Of the 500 scrappy blue rectangles I cut for that project, I still had about 100 left. So instead of trying to cram them back into my scraps bin, I pulled out all my skinny blue and brown string scraps and made this! No pattern, just winging it 😉
There are so many different fabrics in this quanket, I wouldn’t know where to start to list which ones are “pieces of the past” – heck, I guess they’re all technically “pieces of the past” since they’re all from past projects! I plan to link this to the weekly linky party over at Quilting is more fun than Housework. Pop over to see all the other great scappy projects others have been working on.
This was donated to the County of Ventura, Children & Family Services in March 2019, for a foster child.
Early this year, we got devastating news: our youngest daughter was diagnosed with HER2+ breast cancer. At 31 years old, life has dealt her some harsh knocks. Yet while the justice scales seem quite out-of-whack where she is concerned, she has faced the challenges that life has thrown at her head-on, with such resolve and a fighting spirit. She is truly a modern day Spartan warrior! That is where the name I chose comes from: a hoplon was the warriors shield.
Before she began chemo treatments in mid-February, I made this quilt for her. I intended it to be symbolic of the hoplon, shielding her in the tremendous amount of love her family and friends have for her. The center LOVE is quilted while the outer blocks (Clay’s Choice) are tied. The sashing between each of the outer blocks have written messages of hope, love, strength and healing from family and friends.
What do you do when the scraps get out of control? Make a quilt of course! In the process of putting away my latest project’s scraps, I found I could no longer squeeze scraps into my blues bin. It was like packing a really full suitcase, but even if I had sat on it, I was just not going to be able to cram even one more teeny weeny scrap in it.
So I dumped the scraps onto my cutting table and started by cutting 2.5″ x 3.5″ rectangles from every piece of fabric that was big enough, ending up with close to 500 rectangles. My original plan was to just join them randomly: since there were so many different fabrics, this would work well. As I began organizing and grouping them by their color values, the idea of doing this scrappy quilt as a twist and turn Bargello came to me – an idea that had been tickling at the back of my brain for awhile.
A couple years ago, I had made my first Bargello quilt based off a pattern I had from a 1993 issue of a Quilters Newsletter magazine. During the process of making it, I Google searched Bargello quilts and was awed by the twist and turn Bargello quilt designs. At that time, I was ready to move onto something different, but the idea of doing a twist and turn Bargello quilt at some future time seemed appealing.
I sometimes like to use obscure names for my quilts: sometimes they are something personally meaningful to me, but sometimes, I just like quirky. I typically don’t divulge the deeper meaning, but I think even a Google search on this one would be challenging to find what 3273 K is. This is 3273 Kelvin, the temperature at which a flame burns blue, creating a pinpoint blue flame (also one of my favorite David Grey songs).
This was donated in March 2019 to the County of Ventura, Children & Family Services, for a foster child.
This is a memory quilt I made for my brother-in-law Ryan as a remembrance of his Dad who passed away in early September. Hide (pronounced ‘hee-day’) loved fishing, and it was a hobby that he and Ryan shared. Each Spring, they would travel from Southern California to the eastern Sierra Nevada to participate in the opening of fishing season on the last Saturday in April.
Hide was a Japanese American citizen. In June of 1942 at the age of 16, he was incarcerated in the Manzanar War Relocation Center, a remote, military-style camp located in California’s Owens Valley, in the foothills of the Eastern Sierra. At night, Hide would sneak out of the guarded encampment to fish in the pristine mountain lakes, rivers and streams just outside the camp’s boundaries. Being interned, he didn’t have access to a fishing pole and reel. He had to make due with a stick and string with hand-made lures and hooks. In late 1944, Hide left Manzanar to join the 442nd Regimental Combat Team, an Army unit comprised of Japanese Americans from Hawaii and the mainland United States.
Hide’s love of fishing in the pristine lakes, rivers and streams of the Eastern Sierra called him back to the Owens Valley each year. From the late 1940’s, Hide never missed an Opening Day. Ryan joined his Dad on these yearly trips, and he himself has not missed an Opening Day with his Dad for the past 42 years.
I chose to do this as a medallion quilt. The center fish design was from a tee-shirt, while most of the remaining fabrics were from three of Hide’s casual dress shirts. The fish in the four corners of the fourth border were from his pillowcase. I purchased the cream, dark blue and grey fabric to provide contrast to all the printed fabrics, and I also purchased the fishing lure fabric (in beige) to complement the fishing lure fabric taken from one of the shirts. In my final border, I wound these two fishing lure fabrics to represent Hide and Ryan: it is meant to be symbolic of how a parent and child’s life travel along separate paths, but always intersect, staying connected throughout life’s journey.