Betty B


Betty B
March 2024

My very first blog post over ten years ago included Aunt Betty’s 9 Patch quilt that had been started by my Great Aunt Betty, many, many years ago. I inherited this as a “flimsy” sometime in the last millennia (wow, that’s fun to say), and, based on the fabric, I would guess that she had made it sometime in the 1940’s. It was twin size, and unfortunately, wasn’t very well sewn. At that time, I disassembled down to the block level, selected the best of the 9 patch blocks and reassembled into a lap size quanket. 

Fast forward another ten years.

This year, I’m making an effort to rid myself of all the offcuts that I’ve accumulated from making quilts for the past ten years (somewhere approaching 150). The remaining blocks from Aunt Betty were still sitting in my “whatchagonnadowiththis” pile, so I disassembled the remaining 9-patch blocks down to the original 9 squares, and recut everything to a consistent 4″x4″ size. As I was ripping seams and re-cutting blocks, I thought a lot about how much easier we quilters have it now: when Aunt Betty made this, she didn’t have a rotary cutter or a grid line cutting mat. She would have used a template, shears, and relied on a steady hand. My prior comment about not being “sewn well” is humbled.

I didn’t have enough 4″ squares from her original flimsy to make another lap size quilt, so I pulled from my scraps and stash to fill in the gaps. The backing fabric was some I received from Jocelyn over at Happy Cottage Quilter back in 2022. Her sending me the box stuffed full of fabric goodies is like the gift that just keeps on giving!

My Great Aunt Betty was married to my paternal Grandmother’s brother. While I don’t remember much about Aunt Betty and Uncle Harlan, I do recall that when they visited (which was always a surprise visit, much to my mother’s chagrin), he would give us kids the “spare change” from his pockets, and his pockets were always heavy with change! I also recall that Aunt Betty never divulged her true age.

“One should never trust a woman who tells one her real age. A woman who would tell one that would tell one anything.”
— Oscar Wilde

Funny. I’m the exact opposite. I have no qualms telling my real age (go 63!) and I probably share way too much of my truth (I just find it makes it easier for me to keep the story straight). Aunt Betty avoided telling her actual age for so many years, that in her later years, when dementia set-in, even she didn’t know how old she was. I kind of like that.

Ms. Love Bug

quanket

Ms. Love Bug
June 2018

The main star of this show is the yellow fabric, with supporting roles played by red and black. And, if you take a closer look at the fabrics, you might see where I derived the name for this quanket. I dug through my scraps bins to use up as much red and black as I could, but still had to rely on a couple of newer fabrics to have enough in the color palette I chose. I enjoy using up scraps not only for the reason of clearing up space in my scraps bins, but moreso for the memories they bring me as I work with them, reminding me of where I had previously used the fabrics, and/or where I had gotten them.

This is another of the many variations of a 9-patch block, and is a pattern I had used a longtime ago in my Who Let the Dogs Out quanket. I like the fun playfulness of not only the design, but the fabrics as well.

This was donated to the County of Ventura, Children & Family Services, for a child in foster care in July 2018.

Start Your Engines

quanket

Start Your Engines
January 2018

‘Start Your Engines’ is a fitting quip for the New Year, and for this quanket that uses a fun race car fabric! Several months ago on another post, I made a comment about how many traditional quilt designs are variations of a 9-patch. Well, here is a modern design that is also a variation of a 9-patch. Ya gotta love the 9-patch for its versatility!

If you look through the quilts I have created, I sort of am all over the place in regards to style(similar to my wardrobe – all over the place 😉 ) I am style agnostic: I like modern, traditional and contemporary. While I really like modern quilt design, I tend to shy away from it since many designs predominately use white as a background color. I love the choice of white for its high-contrast value, but since I make these quilts for kids, I fear that white fabric is not going to go the distance. So instead of white, I use other colors for my backgrounds to help convey the modern feel.

This was a super fun, quick design that can be put together in less than a day. It is also a good scraps-buster project, especially if you have wonky-shaped scraps. The blue background fabric was some I had inherited from Edith and the race car fabric was given to me by a close friend. Most of the others were pulled from my scraps bins. There are a lot of ‘pieces of the past’ fabrics that were used in this quanket!

Quilting is more fun than Housework

This was donated to the County of Ventura, Children & Family Services, for a child in foster care in April 2018.

Puddy Tat

Quanket

Puddy Tat
April 2017

Have you ever noticed how a lot of the more traditional quilt patterns seem to be a version of a standard 9-patch quilt? This quilt pattern is called Panache, and can be found here. I had come across this design over at Hyacinth Quilt Design, which by the way, I love how she came about choosing the name for her blog.

Most of the fabrics I used in my Puddy Tat quanket are new, with the exception of one that was left over from a quanket I had made for my Mom many years ago, and some 4″ squares I had gotten when I visited the Latimer Quilt and Textile Center in Tillamook in 2015. A couple of these cut squares had the maker’s mark on the edge, Aunt Jane’s RJR Fashion. It’s a cute fabric, with small pink, white and blue flowers (?) on a tan background. I am not sure if it is vintage, but I wouldn’t be surprised if it is – it has that look about it.

This was donated to the County of Ventura, Children & Family Services, for a foster child in June 2017.

Hakuna Matata

Hakuna-Matata

Hakuna Matata
June 2016

Do you ever purchase a super cute fabric that you just can’t resist, but then find that it sits in your stash, and for some reason, you seem to be avoiding it? In this case, the fabric is a beautiful Julia Cairns African inspired design. Each time I saw it there in my stash, beckoning me, I wasn’t quite sure how to do justice to the fabric, as each of the animal blocks is a different size. But then the idea finally came to me: a 9-patch might be the answer.

A standard 9-patch is such a perfect block pattern because it so flexible. The color palette was pulled from the animal print – blues, gold and greens – taken from a variety of leftover pieces from other past quanket projects.

The name Hakuna Matata was inspired by the animal print, and from a Corrie ten Boom quote I recently came across:

Worrying is carrying tomorrow’s load with today’s strength – carrying two days at once. It is moving into tomorrow ahead of time. Worrying does not empty tomorrow of its sorrow; it empties today of its strength.

This quanket was donated to the County of Ventura, Children & Family Services, for a foster child in June 2016.

Madagascar Foxtrot

Madagascar-Foxtrot

Madagascar Foxtrot
September 2014

The design for Madagascar Foxtrot is based off of a basic 9-patch quilt. This one is a true patchwork quilt as I used scraps that were left from these prior Love Hugs quilts – Check This!, Shooting Star and Green Tetons. And, I still have more of these fabrics!

If you would like to donate a scrap of fabric to be used in a Love Hugs quilt, check out the donation form on the About page.

I donated this quilt to the County of Ventura, Children & Family Services, via the Children’s Services Auxiliary of Ventura County, in September 2014.

100 Quilts for Kids

Aunt Betty’s 9 Patch

9 Patch quilt

Aunt Bettys’ 9 Patch
January 2013

This quilt had sat in my sewing closet for years. I never quite knew what to do with it, as it did not really fit with the color-scheme of my home. This was a quilt that my Aunt Betty had started, but never finished. I finished it and donated it to Casa Pacifica Centers for Children and Families in Camarillo in March 2013.