Such a busy year! This is only the fifth quanket that I have completed this year. My personal goal is to make two per month, and I am far from achieving even close to this number for 2016. When I start to get down on myself for not hitting personal goals – perhaps self-inflicted, non-rational would be better words than “personal” – I hear the words of advice my mom used to give to me: “everything in moderation, Jean”. So, I must cut myself some slack. Time is at a premium this year: from helping daughters with house projects and moving, to welcoming our new granddaughter, Ivy, to hosting a baby shower for other daughter’s first child, and we still have two major holidays to squeeze into what has already been a full year.
Sweet Slumber is a log cabin quilt design, based on an interpretation of Jean Ann Wright’s, Bonnie Blues Quilt. The log cabin is such a versatile block pattern: a simple rotation, or an intended placement of repeating fabric can create such a unique design! While the majority of fabrics I used are new fabrics, I was able to incorporate a scrap fabric piece inherited from Granny, which is the teal polka dot fabric that is used in the simple four-patch joining blocks in the sashing.
Although busy and at times chaotic and physically tiring, it has been a fantastic year! Maybe I will hit that personal goal of two quilts per month in 2017 🙂
This was donated to the County of Ventura, Children & Family Services, for a foster child in October 2016.
Do you ever purchase a super cute fabric that you just can’t resist, but then find that it sits in your stash, and for some reason, you seem to be avoiding it? In this case, the fabric is a beautiful Julia Cairns African inspired design. Each time I saw it there in my stash, beckoning me, I wasn’t quite sure how to do justice to the fabric, as each of the animal blocks is a different size. But then the idea finally came to me: a 9-patch might be the answer.
A standard 9-patch is such a perfect block pattern because it so flexible. The color palette was pulled from the animal print – blues, gold and greens – taken from a variety of leftover pieces from other past quanket projects.
The name Hakuna Matata was inspired by the animal print, and from a Corrie ten Boom quote I recently came across:
Worrying is carrying tomorrow’s load with today’s strength – carrying two days at once. It is moving into tomorrow ahead of time. Worrying does not empty tomorrow of its sorrow; it empties today of its strength.
This quanket was donated to the County of Ventura, Children & Family Services, for a foster child in June 2016.
The quilts I make are not traditional “quilted” quilts. I like to refer to them as quankets (pronounced ‘kwang-kits’). Quilted quilts are when the patch-worked top is then “quilted” onto a backing piece of fabric, with a layer of batting in between. This is typically done using a long arm sewing machine (which I don’t have) or by hand (which I don’t have the patience for). I love the aspects of piecing, and backing my quilts with blankets allows me to focus on piecing, while not stressing (or spending a lot of money) towards having them professionally long arm quilted.
It has never been my intention for my quilts to be works of art: they’re pretty, and that works for me. I find that by not undertaking each quilt with the notion that it has to be a work of art, it liberates me to explore new ideas, and experiment with colors, patterns, and textures – I LOVE textures. In Maypole, the white fabric is a polyester that I inherited from Granny: no doubt, fabric she had intended for a pant suit – Granny loved her polyester pant suits! It has a fabulous line and texture detail. I have had this fabric on my shelf for years, shying away from it for a quilt project since it is polyester. But, it is super soft, and after experimenting with wool in my Virgie’s Wagga quilt, I figured that I should give the polyester a try.
I follow several blogs, and many bloggers lament the market for quilts, and how overseas mass production has made selling homemade quilts more difficult. I am fortunate that I have the time, resources, and ability to make and donate quilts. I only hope that more quilters out there, that are ‘stuck’ in the place of not knowing if they should quilt for profit, artistry, or charity, choose the later 🙂 Don’t let unused quilts lie in your studios, hang on walls, unused, perhaps in the hopes that they will some day be a work of art. Just donate them – the act of letting go is so fulfilling!
This was donated to the County of Ventura, Children & Family Services, for a foster child in June 2016.
Baby Bear is the final quanket in my Three Bears series, and I am thrilled to have it finished in time to include it, along with Papa and Mama Bear, in this year’s Hands2Help Charity Quilt Challenge.
I have had little time to spend at the sewing machine over the past few months, however I did take some time recently to better organize my scraps. While I am not quite as organized as other quilters in cutting my scraps into commonly used sizes, I do keep my scraps together by colors. My prior method of keeping them in plastic bags was beginning to get out of hand and needless to say, it looked tacky. So I purchased some cute photo boxes that were on clearance, and have now organized my scraps into these. They look much cuter on the shelf and work much better than the plastic bags did. During the process of organizing, I found that my blue scraps were overflowing, which is what inspired the fabric selection for Baby Bear.
Designing a scrappy quilt, while challenging, is fun and rewarding. Challenges include finding enough scraps in similar or complementary color values and/or saturation, and designing the layout. For me, the layout is usually dictated by the amount of scraps I have that work together. In Baby Bear, I had a lot of country blues – leftovers from the 80’s – and darker blue leftovers from my quanket, Celebration. Using a design wall is great for exploring options in how to arrange blocks, sashing and borders. My design wall is a closet door covered with felt which works great, as it lets me place pieces without the use of pins. For pieces that have more seams, it seems that a pin is needed, otherwise I end up with a pile of pieces on the floor in front of the closet door!
Over the past week, the media here in Southern California have brought attention to Lexi, a 6 year old little girl who has been taken from her foster family. Lexi has been with the Pages, her foster family for nearly five years, and she knows them as her family.
The reason that Lexi has been taken from the Pages is because she is 1.5% Choctaw, Native American. The State of California and Los Angeles County are “moving her to Utah to live with a non-blood related family who aren’t even members of the Choctaw tribe”. Unfortunately, the state and county can do this under the Indian Child Welfare Law. While the intention of the law seems good, the execution of the law in this particular case does not seem to be very well thought out.
The Page family is devastated and have begun a petition which you can view through the link below. I have signed it. Will you?
Click here to sign the petition to keep Lexi home
Mama Bear began with a color idea that I saw in an Indian Sari. Indian Saris are beautiful and their colors are so inspiring. I love the combination of purple, orange and pink. And while I try to do different quilt designs as much as possible, I wanted to do another Bear’s Paw quilt to go with Papa Bear.
Another source of inspiration for Mama Bear began this past Thanksgiving. At the cabin we stayed at in Big Bear for Thanksgiving, there is one bedroom that is decorated in the Three Bears theme – how fun is that? Since Thanksgiving, I have had the plan to do three Bear’s Paw quilts: Papa Bear, Mama Bear and Baby Bear. Baby Bear is up next!
This quanket, along with Baby Bear and Papa Bear are being donated via the Hands2Help Challenge 2016 and will go to the Yukon Women’s Transition Home in Whitehorse, Yukon. I am inspired by these words on their website, “Kids deserve to feel safe“. These are words that fuel me to make and donate quilts for kids.
A Chaotic Start to a New Year
Today is the first weekend I am spending at home since the beginning of the year, and I am finally getting some time to sew. On January 5, my daughter and son-in-law’s home was flooded – who even thinks of flooding in sunny Southern California? El Niño rains flooded the street they live on, and ultimately rose above the sandbags they had in place to keep the water off of their property. At its peak, they had just over 9 inches of water, mud and debris throughout their house. Paul and I have spent the past two weekends with them, cutting drywall from interior walls, and cleaning dried mud off of everything – including her sewing machine.
These old Singer machines are great! Hers is a vintage 1950’s machine, and is almost identical to the one I sew with, which was my Granny’s – my sewing mentor. Luckily the mud hadn’t guncked-up the mechanics and after cleaning the mud from inside and out, I put it to work in contributing a block to the quanket that is getting started on my design wall.
To follow-up to my last post, Re-purposing for a Purpose, there were a total of 75 fleece beanie caps in the basket. Some have gone to a local chemo center, and the rest will be donated to Children’s Hospital Los Angeles.
p.s. Julie I will send you the hat pattern as soon as I can!